Jeff Mills: Blue Potential live with Montpellier Philharmonic Orchestra

blue potentialGibt’s jetzt auf Youtube:

Recorded live on July 2nd 2005 at Pont Du Gard (France) (20th anniversary of its inclusion of UNESCO’s world heritage list). Jeff Mills performed a single live outdoor concert with the Montpellier Philharmonic Orchestra, at the foot of the Pont du Gard bridge in southern France, a World Heritage classified site. Symphonic versions of Jeff Mills’ greatest works were performed for the first time with the 80-piece, classical orchestra, conducted by Alain Altinoglu. Included in the concert are the full, melodic pieces “Imagine” and “The March”; the deep, classic techno piece “Gamma Player”; selections from Jeff Mills’ film compositions “Entrance To Metropolis” and “Keaton’s Theme”; the avant-garde and sublime 14-minute piece “Medium C”; and lastly the unforgettable dance floor masterpieces “The Bells” and “Sonic Destroyer”.

Jeff Mills said:

„There have always been so many questions put forth about just who we humans are and how we got here. Seemingly shipwrecked on gigantic floating rocks we call continents, humans have pondered these questions since the realisation of our own existence. The more we explore these questions, the more we must ask ourselves the single most important question: the question of ‚why?‘. Why are we here? Are we here by design or by consequence? In our busy lives, we have the few chances to occasionally look up into the blue sky. When we do, the sense of our world of blue ends when the blue fades to black (or is it really black?). There are a few of us who believe the opposite, that the human life begins just past the border of our imaginations. Whichever way you hold the truth, one thing is a commonality, we believe the answer lies beyond ourselves. So the questions persist.“

„The Blue Potential serves as just two of the many mysteries within our existence: the deep blue sky and the deep blue sea. Both vast universes of unknown answers to questions we’ve yet to realise.”

Jeff Mills: Exhibitionist Video & Wire Interview

Im aktuellen Wire Mag gibt es wieder mal ein schönes Interview mit Jeff Mills. Neben der typischen und wie immer lesenswerten Mills-Philosophie geht es auch um Produktionstechnik, den visuellen Aspekt des DJs, X-102 Rediscovers The Rings Of Saturn. und dieses Exhibitionist Video:

29.01. Robert Henke & Christoph Bauder – ATOM @ Berghain

Performance for a matrix of 64 gas balloons, lights, and sound

A room is filled with deep, evolving noises from a four-channel sound system. An eight-by-eight array of white, self-illuminated spheres floats in space like the atoms of a complex molecule.

Through variable positioning and illumination of each atom, a dynamic display sculpture comes into being, composed of physical objects, patterns of light, and synchronous rhythmic and textural sonic events. Change, sound, and movement converge into a larger form.

The height of each helium balloon is adjusted with a computer-controlled cable winch, whilst the internal illumination is accomplished using dimmable super-bright LEDs, creating a pixel in a warped 8×8 spatial matrix.

The sonic events, the patterns of light, and the movement of the balloons are manipulated in real time as a 45-60 minute-long performance.

Die Platte  „Robert Henke: Atom/Document“ gibt’s bereits auf Monolake/Imbalance.