Jeff Mills: Blue Potential live with Montpellier Philharmonic Orchestra

blue potentialGibt’s jetzt auf Youtube:

Recorded live on July 2nd 2005 at Pont Du Gard (France) (20th anniversary of its inclusion of UNESCO’s world heritage list). Jeff Mills performed a single live outdoor concert with the Montpellier Philharmonic Orchestra, at the foot of the Pont du Gard bridge in southern France, a World Heritage classified site. Symphonic versions of Jeff Mills’ greatest works were performed for the first time with the 80-piece, classical orchestra, conducted by Alain Altinoglu. Included in the concert are the full, melodic pieces “Imagine” and “The March”; the deep, classic techno piece “Gamma Player”; selections from Jeff Mills’ film compositions “Entrance To Metropolis” and “Keaton’s Theme”; the avant-garde and sublime 14-minute piece “Medium C”; and lastly the unforgettable dance floor masterpieces “The Bells” and “Sonic Destroyer”.

Jeff Mills said:

„There have always been so many questions put forth about just who we humans are and how we got here. Seemingly shipwrecked on gigantic floating rocks we call continents, humans have pondered these questions since the realisation of our own existence. The more we explore these questions, the more we must ask ourselves the single most important question: the question of ‚why?‘. Why are we here? Are we here by design or by consequence? In our busy lives, we have the few chances to occasionally look up into the blue sky. When we do, the sense of our world of blue ends when the blue fades to black (or is it really black?). There are a few of us who believe the opposite, that the human life begins just past the border of our imaginations. Whichever way you hold the truth, one thing is a commonality, we believe the answer lies beyond ourselves. So the questions persist.“

„The Blue Potential serves as just two of the many mysteries within our existence: the deep blue sky and the deep blue sea. Both vast universes of unknown answers to questions we’ve yet to realise.”

Monday Edition Podcast 03: Rongo Summer DJ Mix

monday edition podcast rongo summerThis podcast was recorded at Rongos Karamea, New Zealand. I made it during my travels around Christmas / New Year 2007 and -in my opinion- this mix sounds still fresh. Many thanks to the lovely Rongo People Shona, Paul and Brian for the great time and making this possible.

Tracklist:

Patrice Scott – Do You Feel Me
Brooks – Pink Cigarettes (Atjazz Rmx)
Kenny Larkin – Butterflies
Martin Buttrich – Programmer
Patrice Scott – Atomspheric Emotions
Kenny Larkin – Groove
Los Hermanos – Birth Of 3000
Blaze – Lovelee Dae (Carl Craig’s 70 Degrees & Sunny Mix)
Derrick Carter – Where We At (Henrik Schwarz, Âme & Dixon Version)
Kenny Larkin – Loop 2
Davina – Don’t You Want It (Extended Mix)
Pépé Bradock – Deep Burnt
John Tejada – Timebomb
Moodymann – Shades Of Jae
Incogdo – Simply Just A Ventage
Laurent Garnier – Moon Beam
Cassy – Somelightuntothenight
Kenny Larkin – Amethyst

ME.03 Rongo Summer DJ Mix by Gunther

Jeff Mills: Exhibitionist Video & Wire Interview

Im aktuellen Wire Mag gibt es wieder mal ein schönes Interview mit Jeff Mills. Neben der typischen und wie immer lesenswerten Mills-Philosophie geht es auch um Produktionstechnik, den visuellen Aspekt des DJs, X-102 Rediscovers The Rings Of Saturn. und dieses Exhibitionist Video:

Patrice Scott: Deep In Detroit Mixtape

patrice scott Deep In Detroit MixtapeIch kann mich noch sehr gut an diesen September 2007 in der Panorama Bar erinnern – damals als erst Ra.H live spielte und dann Patrice ‚Mr. Sistrum‘ Scott aufgelegt hat. Ich wusste es ja schon vorher und weiß es noch immer: Patrice Scott ist ja sooo cool! Wir haben durchgetanzt.

Vor zwei Wochen ist seine neue Platte „Far Away“ auf Sistrum erschienen. Ich hab an manchen Tagen schon irgendwie festgestellt, dass ein Besuch im Plattenladen ne relativ unemotionale Sache geworden ist. Manchmal lächle ich ein wenig wegen dem jungen Spanier neben mir, der da grade wieder voll unter seinen Kopfhören abgroovt. Aber bei der Platte ist mir das auch wieder passiert. Da geht mir gleich das Chakra im Bauch auf. Deep in Detroit – ein Glück, dass die Motown noch solche Leute wie Patrice Scott hat, sonst wäre es dort inzwischen ziemlich still.

Zu Hause, mit der Platte unterm Arm und den Erinnerungen an die PBar im Kopf, hab ich wirklich einen DJ Mix von Ihm vermisst. Ab heute gibts aber die Rettung: Das Deep in Detroit Mixtape, yeah! Und Patrice Scott spielt am Freitag, den 13. Februar wieder in der Panorama Bar und am 07. März im Übel & Gefährlich Hamburg. Not to be missed!

Deep In Detroit Mixtape – Tracklist

00.00 ?
07.15 ?
14.25 Marcellus Pittman – Skylark [Late Morning mix Foool!!] – FXHE
18.05  Kerri Chandler – Moon Bounce – Deeply Rooted House
23.15 ?
27.30 ?
32.30 ?
38.30 DJ OJI – Footsteps of Phire (Ibadan)
42.30 Ferrer & Sydenham Inc. – Timbuktu [Ame Main Mix] – Ibadan
48.00 David Alvarado – Passion Fruit – Yoshitoshi
55.55 Kevin Saunderson – Pump the Move [Samuel L Sessions Mix] – KMS

Clone schließt das Label

cloneClosure of the Clone record label

After running the label since 1993/ 94 we recently noticed that we were going to repeat ourselves. We started as a label influenced by the first wave of techno and house labels who were just releasing music for the sake of good and personal music (we cloned what they did… by just having fun and release music which we enjoyed ourselves). We have started very immature and without having an idea in mind that we we’re going to make this a business…

At that moment we were exploring the field of minimalish techno and acid. Then our attention slowly moved to electro, post Detroit techno and the new sonic territories with modern electronica. We’ve had the return of disco in the late 90’s and the nu-disco thing and a fusi on of styles in the early ’00. Simultaneously we’ve released dark electro techno, campy nu-disco ,advanced modern electronica and personal favorites in the rebound.

Artists developed into different directions and there is not much we haven’t touched in our field… from very ‚obscure‘ records to ‚underground‘ dance floor hits that got big festival crowds and balearic holiday ravers moving. So what is there left to do? Basically there is no challenge at this moment… we can continue releasing everything we like (from people we like) without a marketing strategy and without a potential buyers in mind as we used to do… but we already did so for many years.

At this moment we don’t understand the popularity of many artists and releases….or… actually we do!. We do, to a certain level, because we’ve tried many things when we just started our journey into music when we were teenagers and when we started the label +/- 15 years ago! By now we do understand the tricks and formulas of dance music and the different users. However using these tricks and formulas just to ensure maximum effect would be betrayal to our own musical ethics because our goal with Clone records is to entertain ourself with the music we release (and to be clear… with the music…and not the sideeffects). Somehow we feel we’ve had an almost complete life cycle of personal evolution in dance music and thats also how we developed the label into a versatile label which is releasing different styles of dance music for different purposes. Its a difficult decision because the label is doing very well and we get warm reactions from the strangest places in this world and we could do this for another 10 years!

But in order to remain passioned about what we do, we feel we should not continue the label as it is.. so we won’t.

but no worries.. there will be new things coming, but its just not exactly clear what, how (and when). More news on th at in a few weeks time!

There will be to two remaining releases (scheduled for Februari.) C#55 – I-f ft Fred Ventura/ Ajello – I cut my heart out (Craig Richards edit)/ I’m ready C#56 – Marco Bernardi – Mystery Of Nazerus (plus a limited Marcus Bernardi rmx 12″) then it will be quiet on the label…

oh.. and Clone Clasic Cuts still has some releases lined up (incl a Unit Moebius CD release), so for now we don’t know what will happen with that.. but most likely we will continue with the Classic Cuts Series.


mnml ssgs mx18: Kassem Mosse

mikrodisko

Seit gestern gibts den Mix 18 auf mnml ssgs. Dieses Mal von Kassem Mosse. So ist hier Leipzig zusammen mit Kann auf Random Circuits schon zwei mal mit dabei. Beim ersten Hören blieb anfangs meine Erwartungshaltung mit Skepsiss zurück. Doch spätestens nach ner halben Stunde hat er mich… voll und ganz!

 


Paperclip People – The Secret Tapes Of Doctor Eich

Paperclip People - The Secret Tapes Of Doctor EichMeine Platte des Tages: Paperclip People – The Secret Tapes Of Doctor Eich. Ich kann mich noch sehr gut an diesen Montag 1996 im Plattenladen erinnern, als ich die das erste Mal gehört habe. Es war meine erste Begenung mit Detroit Techno – und das hat mich bisheute nicht mehr losgelassen. Ich schließe mich vollkommen kodebreaker an, der bei Discogs sagt:

Every one of the tracks is a creative collection of minimal elements bound together to form a compelling track. From the gritty bass on „The Floor“ to the modulating synth patterns on „Oscillator“ Carl Craig weaves his unique musical talents to the maximum and delivers an essential piece of music history.

No fillers, just killers!